So picked up Revis and Deion started getting beaten lol

jwasylenko said:

Just so you know, Outside Shade is almost completely useless on a slot corner as most slot routes are going to break inside the numbers.  If you like running press man I would suggest moving NTL inside and running Mid Route KO/Pick Artist for a total of 2 AP.  He's also much better in run support.  Deion's press was never really a problem for me either, but I recently moved him to FS, and he has been much better there.

I run outside shade on Revis (on the outside), not on Deion. I won't put him at FS because I have AM3 Atwater there with Ed Reed as the backup

Daddy said:

I have a clip from a couple of years ago where I had a shorter CB against a taller WR go up for a jump ball. And I paused it when they were both mid-air going up for the contested catch. Both fully stretched out, the taller WR was about double the size (in height) as my CB, Kyle Fuller. Just using the screen as scale, the WR high-pointed the catch roughly 15 feet in the air, and my fully stretched out, reaching up in the air CB  barely had his toes 6” from the ground at the peak of his jump.   

point being, if you’re not tall, you’re short!

No, I know what u mean....the animation makes it seem that way...When I used Carmichael it was like that and it still is with Metzelaars...Low-Key, Metzelaars is the most clutch player of all my pass-catching players. He's a beast. better than Pitts, Waller for my scheme.

Jonnymagnum said:

i Just think that he was that much better because he was facing cards that were 90-92. The cards have caught up to him

I also think that EA builds stuff into the cards , especially the "free" ones that changes how they play. Past Deions that were set Masters never played this inconsistently

I don’t care what people say but dda in this game is real , since i got my team to a 94 i have lost 5 straight games to what look to be 88 to 89 overall teams . No way that should happen. I also consider myself a decent player so it’s not just a skill issue .